Ambassador Mahit Dzmare arrives in the center of the multi-system Teixcalaanli Empire only to discover that her predecessor, the previous ambassador from their small but fiercely independent mining Station, has died. But no one will admit that his death wasn't an accident—or that Mahit might be next to die, during a time of political instability in the highest echelons of the imperial court.
Now, Mahit must discover who is behind the murder, rescue herself, and save her Station from Teixcalaan's unceasing expansion—all while navigating an alien culture that is all too seductive, engaging in intrigues of her own, and hiding a deadly technological secret—one that might spell the end of her Station and her way of life—or rescue it from annihilation.
This was not the normal type of sci-fi story I read and I didn't think I would enjoy it at first. But the more I read, the more I fell in love with this story. It's very rich, deep, symbolic, and full of meaning. The characters are deep and very interesting, and the elaborately detailed world/universe of the story is incredibly thorough and stimulating. This story had a great pace and evolved from a story of planetary politics to political inrigue and thriller-type pace. I finish this book feeling like I have experienced something profound and yet sad that it's over - and yet I've already downloaded the sequel! Arkady Martine is masterful and a bit like the Stephen King of the genre. Maybe my top book of the year!
I really enjoyed this book. It had a lot of fun and engaging characters as well as a pretty exciting plotline full of political intrigue. The only real gripe I had with the book was that with all the characters names being formed similarly it was much harder for me to remember the name of any specific character even though the characters themselves were very memorable.
I feel like "political thriller" is a buzzterm that gets thrown around rather loosely (having a single character who just happens to be a politician does not a political book make). But here it feels earned; we got ambassadors with secret agendas, high society galas, partisan riots in the streets, technological sabotage, constantly shifting secret alliances and backroom deals made in the dead of night. Oh yeah, and two distinct imminent wars looming over everyone's heads.
It's hard for me to say whether all of that was a helpful vehicle or a distraction for what this book really wanted to be about, which was identity (what is the ~self~ and how much can that change before you become someone else?) and about being enamored and subsumed by a different culture that you will never be 100% assimilated into, whether you want to or not. That isn't to say that this …
I feel like "political thriller" is a buzzterm that gets thrown around rather loosely (having a single character who just happens to be a politician does not a political book make). But here it feels earned; we got ambassadors with secret agendas, high society galas, partisan riots in the streets, technological sabotage, constantly shifting secret alliances and backroom deals made in the dead of night. Oh yeah, and two distinct imminent wars looming over everyone's heads.
It's hard for me to say whether all of that was a helpful vehicle or a distraction for what this book really wanted to be about, which was identity (what is the ~self~ and how much can that change before you become someone else?) and about being enamored and subsumed by a different culture that you will never be 100% assimilated into, whether you want to or not. That isn't to say that this felt like three different books rolled into one, but if you wanted to make that argument, you'd have material to work with.
Language nerd that I am, I enjoyed how the protagonist would play around with the fictional language of the empire she was in, usually intentionally-accidentally switching to informal speech when playing dumb was in her best interests; "weaponized barbarism" for lack of a better term. And the reader very much gets the impression that she's an outsider in this setting, what with her occasional faux-pas and cultural references that go over her (and the reader's) head that other characters in the scene are so familiar with that they don't require explanation.
There were stretches of this book that just felt like a constant stream of back-to-back appointments and it took a little longer than I'd like for the proper action to begin. Still, it's a well-told story with believable enough worldbuilding that I'd like to revisit, but I was also ready to say goodbye to these characters towards the end. Maybe that's just a result of my innate preference for shorter books though, so you might get more out of it if you have a higher "stamina" than I do.
The slow-burning love-child of House of Cards and The Expanse
4 stars
If I'm honest I first picked up this book because of the image on the cover but once I picked up the book I remained interested and the aesthetic remained pretty cool throughout and gave me vibes from the "Coup" and "The Resistance" board games.
The book really focuses in a lot on the political manoeuvrers of the central character Mahit and her allies (and enemies). There's a fair amount of political theatre and description of Mahit's internal monologue which reminded me of House of Cards. The world building meant that the plot does take a little while to really get going but once it does get going, there's a fair amount to be excited about. The last few chapters were pretty gripping and more reminiscent of something like The Expanse.
There is a lot of description of the culture and language used in the Teixcalaanli Empire which for me, …
If I'm honest I first picked up this book because of the image on the cover but once I picked up the book I remained interested and the aesthetic remained pretty cool throughout and gave me vibes from the "Coup" and "The Resistance" board games.
The book really focuses in a lot on the political manoeuvrers of the central character Mahit and her allies (and enemies). There's a fair amount of political theatre and description of Mahit's internal monologue which reminded me of House of Cards. The world building meant that the plot does take a little while to really get going but once it does get going, there's a fair amount to be excited about. The last few chapters were pretty gripping and more reminiscent of something like The Expanse.
There is a lot of description of the culture and language used in the Teixcalaanli Empire which for me, really teetered on the precipice between detailed world-building and self-absorbed. I'm not really in to poetry - which is a huge part of Teixcalaanli culture so maybe that explains why I didn't really get on board with certain aspects of the world building but the descriptions of the technology, city, space vessels etc were well done.
Overall a solid, captivating sci-fi read if you can get on board with some of the slower descriptive parts of the book.
