Paperback, 424 pages
Turkish language
Published 2020 by Ithaki Yayınları.
Fantasy novel by Sarah Monette under the pseudonym Katherine Addison.
Readable and forgettable. I should have heeded the Young Adult tag and passed on it, perhaps.
the usual fantasy-racism and sexism with a bit of homomisia sprinkled in. the author should just have written the novel in 19th century europe, the fantasy aspect is rarely used at all.
the book seems to want me to have sympathy with an absolutist ruler. 🙄 and what's up with all these different names, and sometimes more than one name for one person? feels like there were a hundred or so names used. oof! and then there are perfectly translatable concepts that are left in some kind of elven language, and sometimes the characters speak really old english? why?!?
at least the story itself is somewhat interesting and has potential, but i'm not gonna read the next books.
I’ve put off reading Addison’s Goblin Emperor a long time; I had heard it was lovely, but also disjointed and inconclusive. It’s taken the book’s inclusion in a list of Becky Chamberesque “novels where people are nice to each other” for me to finally take the plunge, and the only thing I regret is I didn’t do so much earlier.
I can see how people have a hard time adjusting to this novel: the intricate, Elven steampunk world it builds and the high stakes court setting seem to promise things the novel never tries to hold itself to. Instead, we are treated to the story of a young man who, motherless at an early age, despised by his cold and all powerful father who banished him to the shticks at the hands of a violently abusive tutor, finds himself on the throne. Faced with the barely hidden contempt of the …
I’ve put off reading Addison’s Goblin Emperor a long time; I had heard it was lovely, but also disjointed and inconclusive. It’s taken the book’s inclusion in a list of Becky Chamberesque “novels where people are nice to each other” for me to finally take the plunge, and the only thing I regret is I didn’t do so much earlier.
I can see how people have a hard time adjusting to this novel: the intricate, Elven steampunk world it builds and the high stakes court setting seem to promise things the novel never tries to hold itself to. Instead, we are treated to the story of a young man who, motherless at an early age, despised by his cold and all powerful father who banished him to the shticks at the hands of a violently abusive tutor, finds himself on the throne. Faced with the barely hidden contempt of the court, ridiculed for his mixed ethnic origin, alienated from simple social contact by his exalted position, the new emperor slowly, quietly turns things around by repaying contempt with empathy, hate with forgiveness, coldness with kindness.
If you do not like your Fantasy to suggest people might not be unconditional products of the world they live in; if you prefer characters to have no moral autonomy; if, simply put, the idea that people, even the most powerful ones, might aspire to do better, is one you disagree with, stay away from the Goblin Emperor. I, for one, know that, of the things I heard about the novel, only “lovely” is true, and that is selling it short.
Content warning mild spoilies on general theme
this book was an excellent traveling companion!
i loved the style of the narrative, avoiding forced plot events in preference of exploring the social setting and all of the (inner) world-building. exactly the kind of depth i was hoping for after going exiting an extended period of adrian tchaikovski novels—sorry adrian! yv'e got great ideas, but surface-level treatment at times
really enjoyed the general premise (growing into unwanted power), the character interactions, and the confusion i felt regarding all the courtiers and their names and origins.
Not bad but stuffy names
I liked the book. I'd read even more if there was more to read. I found the names to be a bit obstructive to reading. They are too similar, too numerous and could have just as well done without them in many cases.
