From award-winning author R. F. Kuang comes Babel, a thematic response to The Secret History and a tonal retort to Jonathan Strange & Mr. Norrell that grapples with student revolutions, colonial resistance, and the use of language and translation as the dominating tool of the British empire.
Traduttore, traditore: An act of translation is always an act of betrayal.
1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel.
Babel is the world's center for translation and, more importantly, magic. Silver working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as its knowledge serves the Empire’s quest for colonization.
For Robin, Oxford is …
From award-winning author R. F. Kuang comes Babel, a thematic response to The Secret History and a tonal retort to Jonathan Strange & Mr. Norrell that grapples with student revolutions, colonial resistance, and the use of language and translation as the dominating tool of the British empire.
Traduttore, traditore: An act of translation is always an act of betrayal.
1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel.
Babel is the world's center for translation and, more importantly, magic. Silver working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as its knowledge serves the Empire’s quest for colonization.
For Robin, Oxford is a utopia dedicated to the pursuit of knowledge. But knowledge obeys power, and as a Chinese boy raised in Britain, Robin realizes serving Babel means betraying his motherland. As his studies progress, Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to stopping imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide…
Can powerful institutions be changed from within, or does revolution always require violence?
A long, heavy, beautifully written and very biting book about the ways in which colonialism coopts people and institutions, and the simultaneous difficulty and necessity of resisting that. Deeply and cleverly tied in with real 19th Century history of Britain and its empire, while also being a fantasy story with a very specific magic system that I enjoyed in itself.
I highly recommend this book, but it should also come with some content warnings:
* Colonialism
* Lots of depictions of racism
* Abusive parenting
* Abusive academia
* Violence
* Not afraid to kill important characters
Babel kommt mit einer spannenden Prämisse. Das Buch spielt in England des 19. Jahrhunderts einer alternativen Zeit und eine der stärksten Treiber für Innovationen sind "magische" Silberbarren. So fand man heraus, dass über Linguistik und Gravuren von verwandten Wörtern in unterschiedlichen Sprachen die Barren die Realität verändern können.
Das Buch folgt Robin Swift, einem chinesischen Jungen, der von Professor Lovell mit nach England genommen wird, nachdem seine Familie an Cholera starb und fast er selbst auch. Die Geschichte verfolgt seine Vorbereitung auf Oxford, das Zentrum des Wissens und Heimat des königlichen Instituts der Übersetzungen.
Robin lernt Freunde kennen, aber auch immer weiter die Zahnräder der Welt wie z.B. die Auswirkungen des Kolonialismus und Kapitalismus.
Besonders gefallen hat mir der Schreibstil. Er erzählt die Geschichte spannend, aber vermittelte mir auch leicht den akademischen Charakter. So gibt es kurze Erklärungen zu Wortpaaren, Fußnoten und Echtwelt-Einspielungen. Durch die Augen von Robin lernen wir …
Babel kommt mit einer spannenden Prämisse. Das Buch spielt in England des 19. Jahrhunderts einer alternativen Zeit und eine der stärksten Treiber für Innovationen sind "magische" Silberbarren. So fand man heraus, dass über Linguistik und Gravuren von verwandten Wörtern in unterschiedlichen Sprachen die Barren die Realität verändern können.
Das Buch folgt Robin Swift, einem chinesischen Jungen, der von Professor Lovell mit nach England genommen wird, nachdem seine Familie an Cholera starb und fast er selbst auch. Die Geschichte verfolgt seine Vorbereitung auf Oxford, das Zentrum des Wissens und Heimat des königlichen Instituts der Übersetzungen.
Robin lernt Freunde kennen, aber auch immer weiter die Zahnräder der Welt wie z.B. die Auswirkungen des Kolonialismus und Kapitalismus.
Besonders gefallen hat mir der Schreibstil. Er erzählt die Geschichte spannend, aber vermittelte mir auch leicht den akademischen Charakter. So gibt es kurze Erklärungen zu Wortpaaren, Fußnoten und Echtwelt-Einspielungen. Durch die Augen von Robin lernen wir die Vorzüge und gleichzeitig den Horror von Wohlstand des 19. Jahrhunderts kennen. Ich denke, die Aussage von Rebecca Roanhorse "A Masterpiece" ist nicht unbedingt übertrieben.
Ich hab noch Yellowface auf meiner Leseliste, aber bin nun auch gespannt auf weitere Romane der Autorin. :-)
A story about what makes an empire run is thrilling, although not surprising. Babel is a fantasy novel you can totally apply to the real world. Money, (modern) colonialism and slavery, wars ... all the tools of economic power. I also loved to learn about etymology and language in general. As one who reads a lot and loves to read it doesn't come as a huge surprise that magic lies in words.
The reason for my mediocre rating is the book itself. I like the way she writes but she uses a ton of footnotes. Some of them necessary, most of them not. those would have fitted in one way or another in the text itself. For me, the footnotes hindered the flow of reading so it was really hard - especially in the beginning of the book - to get "into the zone".
Especially the ebook version is awful …
A story about what makes an empire run is thrilling, although not surprising. Babel is a fantasy novel you can totally apply to the real world. Money, (modern) colonialism and slavery, wars ... all the tools of economic power. I also loved to learn about etymology and language in general. As one who reads a lot and loves to read it doesn't come as a huge surprise that magic lies in words.
The reason for my mediocre rating is the book itself. I like the way she writes but she uses a ton of footnotes. Some of them necessary, most of them not. those would have fitted in one way or another in the text itself. For me, the footnotes hindered the flow of reading so it was really hard - especially in the beginning of the book - to get "into the zone".
Especially the ebook version is awful since you are jumping back and forth. For that I preferred the paperback since it made it easier to stick to it.
It's a pity that the book only got interesting during the last third.
i really enjoyed the read. i think, the book is in almost every aspect able to walk a middleroad between epic theatre and a "real" novel und it's story.
the world building is just a sidestep away from the real events and the world in the mid 19th century. i did not read it as a fantasy novel with a smart magic system, but rather a historic novel in a setting auch style of magic realism.
all the characters are clearly models of a specific world view and situation, but at least in my experience of the book, they are also able to induce sentiment.
if you would ask me, it is the same effect, Eco and Brecht would likely achieve.
Kuang's story surprises. This coming-of-age (and coming-of-revolution) story introduces us to a world where the the 19th-century Industrial Revolution is made possible not by steam and worker oppression but by the magical powers of translation and colonial exploitation. The experiences of the protagonist, a Cantonese boy that adopts the English name Robin Swift, lead us to an imagined Oxford that is as intriguing as Hogwarts but that has sins that Kuang not only does not whitewash, but makes the centerpiece of her novel. The historical notes and especially the etymological explanations are fascinating, if occasionally pedantic. Once you get your head around this world and how it works, you'll want to hang on to the end to see how a postcolonial critique during the height of the British Empire can possibly turn out.
A magical alternative history of Oxford about the physical and cultural violence and slavery of empire and colonisation.
5 stars
Like #TedChiang's ‘Seventy Two Letters’, Babel is set in a fantastical alternative history of England during the Industrial Revolution. In Kuang's universe, the revolutionary tech is yínfúlù, silver talismans engraved with a word in one language and it's translation in another. When a bilingual utters the words, the subtle differences between their meanings are released by the silver, working magic on the physical world.
“The power of the bar lies in words. More specifically, the stuff of language the words are incapable of expressing - the stuff that gets lost when we move between one language and another. The silver catches what's lost and manifests it into being.”
Like in #UrsulaLeGuin's Earthsea, words have magical power, but also like Earthsea, the magic is taught to adepts in cloistered academies, in Kuang's case the Royal Institute of Translation. Translators are not only key to great leaps in productivity for British Industry, …
Like #TedChiang's ‘Seventy Two Letters’, Babel is set in a fantastical alternative history of England during the Industrial Revolution. In Kuang's universe, the revolutionary tech is yínfúlù, silver talismans engraved with a word in one language and it's translation in another. When a bilingual utters the words, the subtle differences between their meanings are released by the silver, working magic on the physical world.
“The power of the bar lies in words. More specifically, the stuff of language the words are incapable of expressing - the stuff that gets lost when we move between one language and another. The silver catches what's lost and manifests it into being.”
Like in #UrsulaLeGuin's Earthsea, words have magical power, but also like Earthsea, the magic is taught to adepts in cloistered academies, in Kuang's case the Royal Institute of Translation. Translators are not only key to great leaps in productivity for British Industry, but also at the nexus of Britain's project for empire and colonisation.
The empire's next target is China, and the novel opens with a boy, the only survivor of Asiatic Cholera in his Canton household, is rescued and cured with silver-work by a mysterious Englishman, Professor Lovell. The professor spirits the boy off to London, forcing him to choose an English name (Robin) and abandon his native Cantonese in favour of the more ‘useful’ Mandarin tongue.
Like #PhilipPullman's The Golden Compass, the hero is a youth of ambiguous parentage, growing up in an Oxford college, mentored by a distant, dismissive father figure.
He's brought up studying Latin and Greek, and afforded a ‘opportunity’ to enter the Royal Institute of Translation, with a small cohort of foreign-born multilinguals. Like the Le Guin's academy, the he finally finds recognition and love amongst his peers, and a long lost sense of belonging, a salve for his lifelong alienation.
Robin loves student life, but glossing over the underlying racism of Britain in general and Oxford in particular, and ignoring the growing realisation that silver-work is a tool for oppression in the colonies and a weapon of imperial expansion, become increasingly unsustainable. He realises the ‘opportunity’ is slavery wrapped in a false promise.
The novel's civilised beginnings are misleading. The tension, violence, and stakes rise inexorably amongst revelations about his origins, shadowy resistance groups, betrayal, excruciating torture, and sudden death.
Ostensibly about English colonial hegemony in centuries past, the novel has a lot to say about Silicon Valley's global imperial projects of similar magnitude, digital and linguistic sovereignty violated by today's magic: machine learning in general, and natural language processing in particular.
Kuang's 'Babel' is action packed, and also bristling with etymological curiosities and translation theory. I loved it not only because of its germane themes and because I'm a nerd linguist, but also because it was a great, heartrending adventure, with a great deal of resonance not only presumably for colonised people and immigrants everywhere, but anyone who's spent time bathed in alienation or crises of identity.
