Female Masculinity - Supernormal Reads

Hardcover, 344 pages

English language

Published Oct. 26, 1998 by Duke University Press.

ISBN:: 978-0-8223-2226-9
OCLC Number:: 612585565

(1 review)

Masculinity without men. In Female Masculinity Jack Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two hundred years. Providing the first full-length study on this subject, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances.

Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. He rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity. He considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities. He also explores issues of transsexuality among "transgender dykes"---lesbians who pass as men---and female-to-male transsexuals who may find …

Masculinity without men. In Female Masculinity Jack Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two hundred years. Providing the first full-length study on this subject, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances.

Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. He rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity. He considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities. He also explores issues of transsexuality among "transgender dykes"---lesbians who pass as men---and female-to-male transsexuals who may find the label of "lesbian" a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators.

Female Masculinity signals a new understanding of masculine behaviors and identities, and a new direction in interdisciplinary queer scholarship. Illustrated with nearly forty photographs, including portraits, film stills, and drag king performance shots, this book provides an extensive record of the wide range of female masculinities. And as Halberstam clearly demonstrates, female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders.

11 editions

ralentina reviewed Female Masculinity by Jack Halberstam

Academia ruining lesbian aliens for us all, since 1998

4 stars

Female Masculinity has become a classic, the kind of book that gets reprinted for its 20th anniversary, with a new preface. And yet, somehow the notion of female masculinity still remains relatively marginal and provocative, certainly in the mainstream, but even within queer circles. At least, this is how it feels to me, even as a (somewhat) masculine woman. What does it mean for women to express masculinity in ways that are original rather than derivative? How does the category of 'masculine' reshuffles division between, on the one hand, dykes and straight (masculine) women and, on the other hand, dykes and trans men? What are the politics of performing masculinity, vs rejecting any stable gender position, vs becoming male? and are these even political practices, or expressions of some inner identity, or both?

Halberstam explores these questions by analysising different cultural artefacts: artistic photos of butches and trans people, the …

Female Masculinity has become a classic, the kind of book that gets reprinted for its 20th anniversary, with a new preface. And yet, somehow the notion of female masculinity still remains relatively marginal and provocative, certainly in the mainstream, but even within queer circles. At least, this is how it feels to me, even as a (somewhat) masculine woman. What does it mean for women to express masculinity in ways that are original rather than derivative? How does the category of 'masculine' reshuffles division between, on the one hand, dykes and straight (masculine) women and, on the other hand, dykes and trans men? What are the politics of performing masculinity, vs rejecting any stable gender position, vs becoming male? and are these even political practices, or expressions of some inner identity, or both?

Halberstam explores these questions by analysising different cultural artefacts: artistic photos of butches and trans people, the notes of 19th century doctors and therapists, the writings of John Radclyffe Hall, and his friends and lovers, Stone Butch Blues, the (mostly academic) clashes between dykes and female-to-male trans theorists, drag king performances, and films representing masculine women.

The main weakness of the book is, in my opinion, that Halberstam loves to pick fights with other scholars. In some cases, he clearly has no respect of his adversaries and their ideas, which he represents so sweepingly as to lose the reader's trust (example: 'white lesbian feminism', never defined, and at points seemingly encompassing - or 'brainwashing' even Audrey Lorde). In other cases, he is very sensitive and self-questioning (example: the mailinglist controversies around F2M) - which obviously is a better premise for thinking. In all cases, however, the meaningfulness of his reflections risks getting lost in the squabble.

Stylistically, I understand this is an academic product, but I do find it a bit of a shame that the book isn't written in a slightly more engaging way: Halberstam never abandons his rigorous scholarly register, though he cannot help soften a bit in his scholarly exegesis of Flaming Ears.

All in all, the book made me think of masculinity in a whole new way, but even I find myself thinking: wow, this is a bit navel-gazing, let's stop thinking about gender and burn down a bank instead.